List of works - Jana Sanyova

A simplified protocol for the usage of new immuno-SERS probes for the detection of casein, collagens and ovalbumin in the cross-sections of artworks

Analysis of Poul Gernes’ painted folding doors at Herlev Hospital

scientific article published on 11 May 2018

Analytical study of modern paint layers on metal knight shields: the use and effect of titanium white.

scientific article published on 24 January 2014

Assessing the stability of arsenic sulfide pigments and influence of the binding media on their degradation by means of spectroscopic and electrochemical techniques

Back Cover: Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment (Angew. Chem. Int. Ed. 17/2017)

Characterisation of the rare cadmium chromate pigment in a 19th century tube colour by Raman, FTIR, X-ray and EPR.

scientific article published on 23 December 2016

Classification of protein binders in artist's paints by matrix‐assisted laser desorption/ionisation time‐of‐flight mass spectrometry: an evaluation of principal component analysis (PCA) and soft independent modelling of class analogy (SIMCA) ⬇️

scientific article published on June 15, 2011

Development of a dedicated peptide tandem mass spectral library for conservation science

scientific article

Dual mode standoff imaging spectroscopy documents the painting process of the Lamb of God in the Ghent Altarpiece by J. and H. Van Eyck

scientific article published on 29 July 2020

EXAMPLES OF THE USE OF THE DECORATIVE TECHNIQUE OF AVENTURINE IN POLYCHROMED SCULPTURE AND DECORATION OF THE EIGHTEENTH TO TWENTIETH CENTURIES

Identification by Raman spectroscopy of pararealgar as a starting material in the synthesis of amorphous arsenic sulfide pigments

Identification of artificial orpiment in the interior decorations of the Japanese tower in Laeken, Brussels, Belgium

article

Identification of protein binders in works of art by high-performance liquid chromatography-diode array detector analysis of their tryptic digests.

scientific article

Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment

scientific article published on 22 March 2017

Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment

Raman analysis of complex pigment mixtures in 20th century metal knight shields of the Order of the Elephant.

scientific article published on 20 May 2015

Rücktitelbild: Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment (Angew. Chem. 17/2017)

Striking presence of Egyptian blue identified in a painting by Giovanni Battista Benvenuto from 1524 ⬇️

scientific article published on June 16, 2011

Synthesis and fading of eighteenth-century Prussian blue pigments: a combined study by spectroscopic and diffractive techniques using laboratory and synchrotron radiation sources

scientific article published on 06 April 2013

The artists’ materials of P. S. Krøyer: An analytical study of the artist’s paintings and tube colours by Raman, SEM–EDS and HPLC

Tryptic peptide analysis of protein binders in works of art by liquid chromatography-tandem mass spectrometry

scientific article

Unexpected materials in a Rembrandt painting characterized by high spatial resolution cluster-TOF-SIMS imaging.

scientific article

List of works by Jana Sanyova

A simplified protocol for the usage of new immuno-SERS probes for the detection of casein, collagens and ovalbumin in the cross-sections of artworks

Analysis of Poul Gernes’ painted folding doors at Herlev Hospital

Analytical study of modern paint layers on metal knight shields: the use and effect of titanium white.

Assessing the stability of arsenic sulfide pigments and influence of the binding media on their degradation by means of spectroscopic and electrochemical techniques

Back Cover: Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment (Angew. Chem. Int. Ed. 17/2017)

Characterisation of the rare cadmium chromate pigment in a 19th century tube colour by Raman, FTIR, X-ray and EPR.

Classification of protein binders in artist's paints by matrix‐assisted laser desorption/ionisation time‐of‐flight mass spectrometry: an evaluation of principal component analysis (PCA) and soft independent modelling of class analogy (SIMCA) ⬇️

Development of a dedicated peptide tandem mass spectral library for conservation science

Dual mode standoff imaging spectroscopy documents the painting process of the Lamb of God in the Ghent Altarpiece by J. and H. Van Eyck

EXAMPLES OF THE USE OF THE DECORATIVE TECHNIQUE OF AVENTURINE IN POLYCHROMED SCULPTURE AND DECORATION OF THE EIGHTEENTH TO TWENTIETH CENTURIES

Identification by Raman spectroscopy of pararealgar as a starting material in the synthesis of amorphous arsenic sulfide pigments

Identification of artificial orpiment in the interior decorations of the Japanese tower in Laeken, Brussels, Belgium

Identification of protein binders in works of art by high-performance liquid chromatography-diode array detector analysis of their tryptic digests.

Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment

Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment

Raman analysis of complex pigment mixtures in 20th century metal knight shields of the Order of the Elephant.

Rücktitelbild: Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment (Angew. Chem. 17/2017)

Striking presence of Egyptian blue identified in a painting by Giovanni Battista Benvenuto from 1524 ⬇️

Synthesis and fading of eighteenth-century Prussian blue pigments: a combined study by spectroscopic and diffractive techniques using laboratory and synchrotron radiation sources

The artists’ materials of P. S. Krøyer: An analytical study of the artist’s paintings and tube colours by Raman, SEM–EDS and HPLC

Tryptic peptide analysis of protein binders in works of art by liquid chromatography-tandem mass spectrometry

Unexpected materials in a Rembrandt painting characterized by high spatial resolution cluster-TOF-SIMS imaging.