List of works - Kathryn A Dooley

A John White Alexander painting: A comparison of imaging technologies for resolving a painting under another painting

scientific article

A high sensitivity, low noise and high spatial resolution multi-band infrared reflectography camera for the study of paintings and works on paper

article

Beauty is skin deep: the skin tones of Vermeer’s Girl with a Pearl Earring

scientific article

Complementary Standoff Chemical Imaging to Map and Identify Artist Materials in an Early Italian Renaissance Panel Painting

scientific article

Complementary standoff chemical imaging to map and identify artist materials in an early Italian Renaissance panel painting

scientific article

Correction to: Visualizing and measuring gold leaf in fourteenth- and fifteenth-century Italian gold ground paintings using scanning macro X-ray fluorescence spectroscopy: a new tool for advancing art historical research

Dual mode standoff imaging spectroscopy documents the painting process of the Lamb of God in the Ghent Altarpiece by J. and H. Van Eyck

scientific article published on 29 July 2020

Image-guided Raman spectroscopic recovery of canine cortical bone contrast in situ

scientific article published on August 2008

Integrated X-ray fluorescence and diffuse visible-to-near-infrared reflectance scanner for standoff elemental and molecular spectroscopic imaging of paints and works on paper

scientific article published on 30 May 2018

Macroscale multimodal imaging reveals ancient painting production technology and the vogue in Greco-Roman Egypt.

scientific article published on 14 November 2017

Macroscopic x-ray powder diffraction imaging reveals Vermeer's discriminating use of lead white pigments in Girl with a Pearl Earring

scientific article published on 30 August 2019

Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy

scientific article

Molecular Fluorescence Imaging Spectroscopy for Mapping Low Concentrations of Red Lake Pigments: Van Gogh's Painting The Olive Orchard

scientific article published on 11 February 2020

Molecular Fluorescence Imaging Spectroscopy for Mapping Low Concentrations of Red Lake Pigments: Van Gogh's Painting The Olive Orchard

scientific article

Near-UV to mid-IR reflectance imaging spectroscopy of paintings on the macroscale

scientific article published on 23 August 2019

Noninvasive Raman tomographic imaging of canine bone tissue

scientific article

Optical clearing in transcutaneous Raman spectroscopy of murine cortical bone tissue

scientific article

Raman tomography of tissue phantoms and bone tissue

Reflectance imaging spectroscopy and synchrotron radiation X-ray fluorescence mapping used in a technical study of The Blue Room by Pablo Picasso

Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis

scientific article published on 2 August 2018

Standoff Mid-Infrared Emissive Imaging Spectroscopy for Identification and Mapping of Materials in Polychrome Objects

scientific article published on 4 December 2017

Standoff chemical imaging finds evidence for Jackson Pollock's selective use of alkyd and oil binding media in a famous ‘drip’ painting

scientific article

Stress mapping of undamaged, strained, and failed regions of bone using Raman spectroscopy

scientific article published on July 2009

Subsurface and transcutaneous Raman spectroscopy and mapping using concentric illumination rings and collection with a circular fiber-optic array

scientific article published in July 2007

Transcutaneous Raman spectroscopy of murine bone in vivo

scientific article published on March 2009

Transcutaneous fiber optic Raman spectroscopy of bone using annular illumination and a circular array of collection fibers

scientific article published in November 2006

Van Gogh’s Irises and Roses: the contribution of chemical analyses and imaging to the assessment of color changes in the red lake pigments

article

Visible and infrared imaging spectroscopy of paintings and improved reflectography

Visualizing and measuring gold leaf in fourteenth- and fifteenth-century Italian gold ground paintings using scanning macro X-ray fluorescence spectroscopy: a new tool for advancing art historical research

List of works by Kathryn A Dooley

A John White Alexander painting: A comparison of imaging technologies for resolving a painting under another painting

A high sensitivity, low noise and high spatial resolution multi-band infrared reflectography camera for the study of paintings and works on paper

Beauty is skin deep: the skin tones of Vermeer’s Girl with a Pearl Earring

Complementary Standoff Chemical Imaging to Map and Identify Artist Materials in an Early Italian Renaissance Panel Painting

Complementary standoff chemical imaging to map and identify artist materials in an early Italian Renaissance panel painting

Correction to: Visualizing and measuring gold leaf in fourteenth- and fifteenth-century Italian gold ground paintings using scanning macro X-ray fluorescence spectroscopy: a new tool for advancing art historical research

Dual mode standoff imaging spectroscopy documents the painting process of the Lamb of God in the Ghent Altarpiece by J. and H. Van Eyck

Image-guided Raman spectroscopic recovery of canine cortical bone contrast in situ

Integrated X-ray fluorescence and diffuse visible-to-near-infrared reflectance scanner for standoff elemental and molecular spectroscopic imaging of paints and works on paper

Macroscale multimodal imaging reveals ancient painting production technology and the vogue in Greco-Roman Egypt.

Macroscopic x-ray powder diffraction imaging reveals Vermeer's discriminating use of lead white pigments in Girl with a Pearl Earring

Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy

Molecular Fluorescence Imaging Spectroscopy for Mapping Low Concentrations of Red Lake Pigments: Van Gogh's Painting The Olive Orchard

Molecular Fluorescence Imaging Spectroscopy for Mapping Low Concentrations of Red Lake Pigments: Van Gogh's Painting The Olive Orchard

Near-UV to mid-IR reflectance imaging spectroscopy of paintings on the macroscale

Noninvasive Raman tomographic imaging of canine bone tissue

Optical clearing in transcutaneous Raman spectroscopy of murine cortical bone tissue

Raman tomography of tissue phantoms and bone tissue

Reflectance imaging spectroscopy and synchrotron radiation X-ray fluorescence mapping used in a technical study of The Blue Room by Pablo Picasso

Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis

Standoff Mid-Infrared Emissive Imaging Spectroscopy for Identification and Mapping of Materials in Polychrome Objects

Standoff chemical imaging finds evidence for Jackson Pollock's selective use of alkyd and oil binding media in a famous ‘drip’ painting

Stress mapping of undamaged, strained, and failed regions of bone using Raman spectroscopy

Subsurface and transcutaneous Raman spectroscopy and mapping using concentric illumination rings and collection with a circular fiber-optic array

Transcutaneous Raman spectroscopy of murine bone in vivo

Transcutaneous fiber optic Raman spectroscopy of bone using annular illumination and a circular array of collection fibers

Van Gogh’s Irises and Roses: the contribution of chemical analyses and imaging to the assessment of color changes in the red lake pigments

Visible and infrared imaging spectroscopy of paintings and improved reflectography

Visualizing and measuring gold leaf in fourteenth- and fifteenth-century Italian gold ground paintings using scanning macro X-ray fluorescence spectroscopy: a new tool for advancing art historical research