List of works - Geert van der Snickt

A mobile instrument for in situ scanning macro-XRF investigation of historical paintings

article published in 2013

Artificial orpiment, a new pigment in Rembrandt’s palette

Back Cover: Chemical Mapping by Macroscopic X-ray Powder Diffraction (MA-XRPD) of Van Gogh's Sunflowers : Identification of Areas with Higher Degradation Risk (Angew. Chem. Int. Ed. 25/2018)

scientific article

Back Cover: Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment (Angew. Chem. Int. Ed. 17/2017)

Blue Enamel on Sixteenth - and Seventeenth-Century Window Glass

article published in 2006

Characterization of a degraded cadmium yellow (CdS) pigment in an oil painting by means of synchrotron radiation based X-ray techniques

scientific article published on April 2009

Chemical Mapping by Macroscopic X-ray Powder Diffraction (MA-XRPD) of Van Gogh's Sunflowers : Identification of Areas with Higher Degradation Risk

Chemical Mapping by Macroscopic X-ray Powder Diffraction (MA-XRPD) of Van Gogh's Sunflowers: Identification of Areas with Higher Degradation Risk

article by Frederik Vanmeert et al published 24 March 2018 in Angewandte Chemie International Edition

Chemical imaging of stained-glass windows by means of macro X-ray fluorescence (MA-XRF) scanning

Combined use of synchrotron radiation based micro-X-ray fluorescence, micro-X-ray diffraction, micro-X-ray absorption near-edge, and micro-fourier transform infrared spectroscopies for revealing an alternative degradation pathway of the pigment cadm

scientific article published on 25 October 2012

Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples

scientific article

Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples

scientific article

Degradation process of lead chromate in paintings by Vincent van Gogh studied by means of spectromicroscopic methods. 4. Artificial aging of model samples of co-precipitates of lead chromate and lead sulfate

scientific article published on 27 December 2012

Degradation process of lead chromate in paintings by Vincent van Gogh studied by means of spectromicroscopic methods. Part 5. Effects of nonoriginal surface coatings into the nature and distribution of chromium and sulfur species in chrome yellow pa

scientific article published on 24 October 2014

Dual mode standoff imaging spectroscopy documents the painting process of the Lamb of God in the Ghent Altarpiece by J. and H. Van Eyck

scientific article published on 29 July 2020

Evidence for Degradation of the Chrome Yellows in Van Gogh's Sunflowers: A Study Using Noninvasive In Situ Methods and Synchrotron-Radiation-Based X-ray Techniques

scientific article published on 20 October 2015

Examination of historical paintings by state-of-the-art hyperspectral imaging methods: from scanning infra-red spectroscopy to computed X-ray laminography

Exploring a Hidden Painting Below the Surface of René Magritte's Le Portrait

scientific article published in January 2016

High energy X-ray powder diffraction for the imaging of (hidden) paintings

IR Reflectography and Active Thermography on Artworks: The Added Value of the 1.5–3 µm Band

James Ensor's pigment use: artistic and material evolution studied by means of portable X-ray fluorescence spectrometry

Jan Davidsz. de Heem (1606–1684): a technical examination of fruit and flower still lifes combining MA-XRF scanning, cross-section analysis and technical historical sources

Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment

scientific article published on 22 March 2017

Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment

MA-XRF imaging on René Magritte’s La condition humaine: insights into the artist’s palette and technique and the discovery of a third quarter of La pose enchantée

Macroscopic x-ray powder diffraction imaging reveals Vermeer's discriminating use of lead white pigments in Girl with a Pearl Earring

scientific article published on 30 August 2019

Material analyses of ‘Christ with singing and music-making Angels’, a late 15th-C panel painting attributed to Hans Memling and assistants: Part I. non-invasive in situ investigations

article

Micro-Raman analysis for the identification of pigments from 19th and 20th century paintings

article by Cristina L. Aibéo et al published August 2008 in Journal of Raman Spectroscopy

Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods.

scientific article

Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings

Plumbonacrite Identified by X-ray Powder Diffraction Tomography as a Missing Link during Degradation of Red Lead in a Van Gogh Painting

scientific article published on 20 February 2015, Angewandte Chemie

Plumbonacrite identified by X-ray powder diffraction tomography as a missing link during degradation of red lead in a Van Gogh painting

scientific article published on 20 February 2015, Angewandte Chemie International Edition

Recent trends in quantitative aspects of microscopic X-ray fluorescence analysis

Rembrandt’s An Old Man in Military Costume: the underlying image re-examined

Rücktitelbild: Chemical Mapping by Macroscopic X-ray Powder Diffraction (MA-XRPD) of Van Gogh's Sunflowers : Identification of Areas with Higher Degradation Risk (Angew. Chem. 25/2018)

article published in 2018

Rücktitelbild: Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment (Angew. Chem. 17/2017)

Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis

scientific article published on 2 August 2018

The use of microscopic X-ray diffraction for the study of HgS and its degradation products corderoite (α-Hg3S2Cl2), kenhsuite (γ-Hg3S2Cl2) and calomel (Hg2Cl2) in historical paintings

The use of synchrotron radiation for the characterization of artists' pigments and paintings

scientific article published on January 2013

The young Van Dyck’s fingerprint: a technical approach to assess the authenticity of a disputed painting

article by Astrid Harth et al published 9 June 2017 in Heritage Science

Van Gogh’s Irises and Roses: the contribution of chemical analyses and imaging to the assessment of color changes in the red lake pigments

article

Virtual Archaeology of Altered Paintings: Multiscale Chemical Imaging Tools

scholarly article by Koen Janssens published in February 2016

Visualization of a lost painting by Vincent van Gogh using synchrotron radiation based X-ray fluorescence elemental mapping

scientific article

List of works by Geert van der Snickt

A mobile instrument for in situ scanning macro-XRF investigation of historical paintings

Artificial orpiment, a new pigment in Rembrandt’s palette

Back Cover: Chemical Mapping by Macroscopic X-ray Powder Diffraction (MA-XRPD) of Van Gogh's Sunflowers : Identification of Areas with Higher Degradation Risk (Angew. Chem. Int. Ed. 25/2018)

Back Cover: Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment (Angew. Chem. Int. Ed. 17/2017)

Blue Enamel on Sixteenth - and Seventeenth-Century Window Glass

Characterization of a degraded cadmium yellow (CdS) pigment in an oil painting by means of synchrotron radiation based X-ray techniques

Chemical Mapping by Macroscopic X-ray Powder Diffraction (MA-XRPD) of Van Gogh's Sunflowers : Identification of Areas with Higher Degradation Risk

Chemical Mapping by Macroscopic X-ray Powder Diffraction (MA-XRPD) of Van Gogh's Sunflowers: Identification of Areas with Higher Degradation Risk

Chemical imaging of stained-glass windows by means of macro X-ray fluorescence (MA-XRF) scanning

Combined use of synchrotron radiation based micro-X-ray fluorescence, micro-X-ray diffraction, micro-X-ray absorption near-edge, and micro-fourier transform infrared spectroscopies for revealing an alternative degradation pathway of the pigment cadm

Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples

Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples

Degradation process of lead chromate in paintings by Vincent van Gogh studied by means of spectromicroscopic methods. 4. Artificial aging of model samples of co-precipitates of lead chromate and lead sulfate

Degradation process of lead chromate in paintings by Vincent van Gogh studied by means of spectromicroscopic methods. Part 5. Effects of nonoriginal surface coatings into the nature and distribution of chromium and sulfur species in chrome yellow pa

Dual mode standoff imaging spectroscopy documents the painting process of the Lamb of God in the Ghent Altarpiece by J. and H. Van Eyck

Evidence for Degradation of the Chrome Yellows in Van Gogh's Sunflowers: A Study Using Noninvasive In Situ Methods and Synchrotron-Radiation-Based X-ray Techniques

Examination of historical paintings by state-of-the-art hyperspectral imaging methods: from scanning infra-red spectroscopy to computed X-ray laminography

Exploring a Hidden Painting Below the Surface of René Magritte's Le Portrait

High energy X-ray powder diffraction for the imaging of (hidden) paintings

IR Reflectography and Active Thermography on Artworks: The Added Value of the 1.5–3 µm Band

James Ensor's pigment use: artistic and material evolution studied by means of portable X-ray fluorescence spectrometry

Jan Davidsz. de Heem (1606–1684): a technical examination of fruit and flower still lifes combining MA-XRF scanning, cross-section analysis and technical historical sources

Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment

Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment

MA-XRF imaging on René Magritte’s La condition humaine: insights into the artist’s palette and technique and the discovery of a third quarter of La pose enchantée

Macroscopic x-ray powder diffraction imaging reveals Vermeer's discriminating use of lead white pigments in Girl with a Pearl Earring

Material analyses of ‘Christ with singing and music-making Angels’, a late 15th-C panel painting attributed to Hans Memling and assistants: Part I. non-invasive in situ investigations

Micro-Raman analysis for the identification of pigments from 19th and 20th century paintings

Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods.

Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings

Plumbonacrite Identified by X-ray Powder Diffraction Tomography as a Missing Link during Degradation of Red Lead in a Van Gogh Painting

Plumbonacrite identified by X-ray powder diffraction tomography as a missing link during degradation of red lead in a Van Gogh painting

Recent trends in quantitative aspects of microscopic X-ray fluorescence analysis

Rembrandt’s An Old Man in Military Costume: the underlying image re-examined

Rücktitelbild: Chemical Mapping by Macroscopic X-ray Powder Diffraction (MA-XRPD) of Van Gogh's Sunflowers : Identification of Areas with Higher Degradation Risk (Angew. Chem. 25/2018)

Rücktitelbild: Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment (Angew. Chem. 17/2017)

Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis

The use of microscopic X-ray diffraction for the study of HgS and its degradation products corderoite (α-Hg3S2Cl2), kenhsuite (γ-Hg3S2Cl2) and calomel (Hg2Cl2) in historical paintings

The use of synchrotron radiation for the characterization of artists' pigments and paintings

The young Van Dyck’s fingerprint: a technical approach to assess the authenticity of a disputed painting

Van Gogh’s Irises and Roses: the contribution of chemical analyses and imaging to the assessment of color changes in the red lake pigments

Virtual Archaeology of Altered Paintings: Multiscale Chemical Imaging Tools

Visualization of a lost painting by Vincent van Gogh using synchrotron radiation based X-ray fluorescence elemental mapping