About the use and disuse of some terms related to the materials constituents of works of art

Achievements of the journal in 2017

Adsorption of Acetic Acid by Activated Carbons, Zeolites, and Other Adsorbent Materials Related with the Preventive Conservation of Lead Objects in Museum Showcases

article published in 2004

Caracterização através de análise química da escultura portuguesa sobre madeira de produção erudita e de produção popular da época barroca

Changing images: the panels of Saint Mary church, at Tavira, founded at the chapel of Saint Peter, and the problems raised by its restoration and scientific study

article by António João Cruz published 2005 in Conservar Património

Columbano's painting accordingly to its paintboxes

Comparative Study of Washing Treatments for Pastel Drawings

Comparison of adsorbent materials for acetic acid removal in showcases

Editorial

Editorial

Entre a tradição e a modernidade: os pigmentos ao dispor dos artistas e o conhecimento sobre esses materiais em Portugal no início do século XX

article

Identification of vivianite, an unusual blue pigment, in a sixteenth century painting and its implications

In search for the original image: Luciano Freire and the theory and practice of painting restoration in Portugal circa 1900

article

Materials and Technique of the Panel Representing the Visitation Made for the Altarpiece of the Chapel of St. Elizabeth (Oporto), by the Mannerist Painter Diogo Teixeira

O livro de como se fazem as cores or a medieval Portuguese text on the colours for illumination: a review

article

On the Date and Contents of a Portuguese Medieval Technical Book on Illumination

article

On the importance of publishing in Heritage conservation

article by António João Cruz et al published 2017 in Conservar Património

Physical Adsorption of H2S Related to the Conservation of Works of Art: The Role of the Pore Structure at Low Relative Pressure

article

Pigments and dyes of the works of art in Portugal, in the beginning of the 17th century, according to the Filipe Nunes' treatise on painting

article

Preservation and destruction of paintings of extinct monasteries in Portugal during the nineteenth century

article

The Conservation and Restoration courses and the problems of curricular articulation: the case of the Polytechnic Institute of Tomar

The colours of a 16th century panel painting, from the church of Pavia (Mora, Portugal), attributed to Francisco João

article

The first radiographs of works of art in Portugal and the relationship between radiography, conservation and politics

article

The journal "Conservar Património" in an international publishing environment – about the indexing in the "Scopus" database

The materials and techniques used in a baroque sculpture representing Saint Dominic from the Museum of Santa Maria de Lamas

article published in 2007

The theatre of ethics and memory: intervention problems in the "Triptych of Life of Christ", belonging to the church of Saint John, the Baptist, Tomar, attributed to the workshop of Quentin Metsys

article by Erica Eires et al published 2016 in Conservar Património

What is the meaning of some of the marks incised in the back of Old panel paintings?