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List of works by Milene Gil

A multi-analytical study of the fifteenth century mural paintings of the Batalha Monastery (Portugal) in view of their conservation

article

An unusual mural paintings at the charola of the convent of tomar: Red lakes and organic binders

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Are theyfrescopaintings? Technical and material study ofCasas Pintadasof Vasco da Gama house in Évora (Southern Portugal)

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Blue pigment colors from wall painting churches in danger (Portugal 15th to 18th century): identification, diagnosis, and color evaluation.

scientific article published on July 2011

Calcium sulfate fillers and binders in Portuguese 15 th and 16 th centuries: Ground layers from a family painting workshop — Study by multianalytical spectroscopic techniques

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Colour assays: An inside look into Alentejo traditional limewash paintings and coloured lime mortars

article by Milene Gil et al published 10 December 2010 in Color Research and Application

Darkening on lead-based pigments: Microbiological contribution

Limewashing paintings in Alentejo urban heritage: pigment characterization and differentiation by WDXRF and XRD

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Material Characterization and Biodegradation Assessment of Mural Paintings: Renaissance Frescoes from Santo Aleixo Church, Southern Portugal

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Material and diagnostic characterization of 17th century mural paintings by spectra-colorimetry and SEM-EDS: An insight look at José de Escovar Workshop at the CONVENT of NaSrada Saudação (Southern Portugal)

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Microanalytical study of thefresco‘the good and the bad judge’ in the medieval village of Monsaraz (Southern Portugal)

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Microscopy and Microanalysis of an Extreme Case of Salt and Biodegradation in 17th Century Wall Paintings

scientific article published on June 2015

Oxalate biofilm formation in mural paintings due to microorganisms – A comprehensive study

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Pigment characterization and state of conservation of an 18th century fresco in the Convent of S. António dos Capuchos (Estremoz)

article by Milene Gil et al published July 2008 in X-Ray Spectrometry

Rediscovering the palette of Alentejo (Southern Portugal) earth pigments: provenance establishment and characterization by LA-ICP-MS and spectra-colorimetric analysis

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Study of mural paintings using in situ XRF, confocal synchrotron-μ-XRF, μ-XRD, optical microscopy, and SEM-EDS--the case of the frescoes from Misericordia Church of Odemira

scientific article

Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal)

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Yellow and red ochre pigments from southern Portugal: Elemental composition and characterization by WDXRF and XRD

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