List of works - Carrie Mae Weems

After Manet

photograph in the National Gallery of Art (NGA 199211)

Artwork for "Inserts", Group Material, Advertising Supplement to The New York Times

booklet by Louise Lawler (MET, 2014.679.21)

May Flowers

photograph in the National Gallery of Art (NGA 164039)

Not Manet's Type

print in the National Gallery of Art (NGA 173670)

Not Manet's Type

photograph by Carrie Mae Weems

Run, Nigger, Run

photograph in the National Gallery of Art (NGA 170436)

Shape of Things (female)

photograph by Carrie Mae Weems (MET, 2000.267)

Slow Fade to Black II

photograph in the National Gallery of Art (NGA 165237)

The Water Tank Project

art exhibition and awareness campaign in New York City

Untitled

photograph by Carrie Mae Weems (MET, 2000.265)

Untitled

photograph by Carrie Mae Weems

Untitled (Eating lobster)

photograph in the National Gallery of Art (NGA 211446)

Untitled (Man and mirror)

photograph in the National Gallery of Art (NGA 211442)

Untitled (Man reading newspaper)

photograph in the National Gallery of Art (NGA 211449)

Untitled (Man reading newspaper)

photograph in the National Gallery of Art (NGA 211450)

Untitled (Man reading newspaper)

photograph in the National Gallery of Art (NGA 211448)

Untitled (Man smoking)

photograph in the National Gallery of Art (NGA 211445)

Untitled (Nude)

photograph in the National Gallery of Art (NGA 211473)

Untitled (Woman and daughter with children)

photograph in the National Gallery of Art (NGA 211465)

Untitled (Woman and daughter with makeup)

photograph in the National Gallery of Art (NGA 211461)

Untitled (Woman and phone)

photograph in the National Gallery of Art (NGA 211453)

Untitled (Woman brushing hair)

photograph in the National Gallery of Art (NGA 211457)

Untitled (Woman feeding bird)

photograph in the National Gallery of Art (NGA 211472)

Untitled (Woman playing solitaire)

photograph in the National Gallery of Art (NGA 211475)

Untitled (Woman standing alone)

photograph in the National Gallery of Art (NGA 211469)

Untitled (Woman with daughter)

photograph in the National Gallery of Art (NGA 211462)

Untitled (Woman with daughter)

photograph in the National Gallery of Art (NGA 211463)

Untitled (Woman with daughter)

photograph in the National Gallery of Art (NGA 211464)

Untitled (Woman with friends)

photograph in the National Gallery of Art (NGA 211454)

Untitled (Woman with friends)

photograph in the National Gallery of Art (NGA 211455)

Untitled (Woman with friends)

photograph in the National Gallery of Art (NGA 211456)

Untitled, from The Kitchen Table Series

photograph by Carrie Mae Weems in the SFMOMA collection (2003.223)

“He felt her demands for more than he could presently give would cause her to lose a good thing.”

print in the National Gallery of Art (NGA 211460)

“He wasn’t working and she was, but ends meeting, ha!”

print in the National Gallery of Art (NGA 211467)

“In and of itself, being alone again naturally wasn’t a problem.”

print in the National Gallery of Art (NGA 211474)

“In their daily life together trouble lurked.”

print in the National Gallery of Art (NGA 211451)

“John and Mary sitting in a tree k-i-s-s-i-n-g.”

print in the National Gallery of Art (NGA 211468)

“Looking her up, down, sideways he said, 'So tell me baby, what do you know about this great big world of ours?'"

print in the National Gallery of Art (NGA 211444)

“Neither knew with certainty what the future held.”

print in the National Gallery of Art (NGA 211466)

“No really, she fussed, fussed all day long.”

print in the National Gallery of Art (NGA 211471)

“Seeking clarity and purpose, she spoke about the problems with her momma who said, 'There’s a difference between men and women.'”

print in the National Gallery of Art (NGA 211459)

“She felt monogamy had a place but invested it with little value.”

print in the National Gallery of Art (NGA 211447)

“She insisted that what he called domineering was a jacket being forced on her because he couldn’t stand the thought of the inevitable shift in the balance of power.”

print in the National Gallery of Art (NGA 211452)

“She was a woman socially involved, loved to run her mouth, to talk things through.”

print in the National Gallery of Art (NGA 211458)

“She was working, making long money, becoming what he called ‘bourgie’, he wasn’t working and this was truly messing with his mind.”

print in the National Gallery of Art (NGA 211470)

“She’d been pickin em up and layin em down, moving to the next town for a while, needing a rest, some moss under her feet, plus a solid man who enjoyed a good fight with a brave woman.”

print in the National Gallery of Art (NGA 211443)

List of works by Carrie Mae Weems

After Manet

Artwork for "Inserts", Group Material, Advertising Supplement to The New York Times

May Flowers

Not Manet's Type

Not Manet's Type

Run, Nigger, Run

Shape of Things (female)

Slow Fade to Black II

The Water Tank Project

Untitled

Untitled

Untitled (Eating lobster)

Untitled (Man and mirror)

Untitled (Man reading newspaper)

Untitled (Man reading newspaper)

Untitled (Man reading newspaper)

Untitled (Man smoking)

Untitled (Nude)

Untitled (Woman and daughter with children)

Untitled (Woman and daughter with makeup)

Untitled (Woman and phone)

Untitled (Woman brushing hair)

Untitled (Woman feeding bird)

Untitled (Woman playing solitaire)

Untitled (Woman standing alone)

Untitled (Woman with daughter)

Untitled (Woman with daughter)

Untitled (Woman with daughter)

Untitled (Woman with friends)

Untitled (Woman with friends)

Untitled (Woman with friends)

Untitled, from The Kitchen Table Series

“He felt her demands for more than he could presently give would cause her to lose a good thing.”

“He wasn’t working and she was, but ends meeting, ha!”

“In and of itself, being alone again naturally wasn’t a problem.”

“In their daily life together trouble lurked.”

“John and Mary sitting in a tree k-i-s-s-i-n-g.”

“Looking her up, down, sideways he said, 'So tell me baby, what do you know about this great big world of ours?'"

“Neither knew with certainty what the future held.”

“No really, she fussed, fussed all day long.”

“Seeking clarity and purpose, she spoke about the problems with her momma who said, 'There’s a difference between men and women.'”

“She felt monogamy had a place but invested it with little value.”

“She insisted that what he called domineering was a jacket being forced on her because he couldn’t stand the thought of the inevitable shift in the balance of power.”

“She was a woman socially involved, loved to run her mouth, to talk things through.”

“She was working, making long money, becoming what he called ‘bourgie’, he wasn’t working and this was truly messing with his mind.”

“She’d been pickin em up and layin em down, moving to the next town for a while, needing a rest, some moss under her feet, plus a solid man who enjoyed a good fight with a brave woman.”